LETTER FROM
THE EDITOR
PHOTO DISTRICT NEWS
www.pdnonline.com
Volume XXXII Issue 8 August 2012
THiS MONTH WE pROFiLE pHOTOGRApHERS WHO SHOW US
places that are beautiful, newsworthy or so remote that few
of us ever dream of seeing them: hidden byways of distant cities, disputed territories in conflict zones, polar bear hunting
grounds, volcanic lava lakes. Are these intrepid and enterprising photographers living out the dreams of every aspiring amateur who picks up a camera? At portfolio reviews, i’ve noticed
that the number of people who say, “What i really want to do
is travel and take pictures” is rivaled only by the number who
say, “What i really want to do is shoot fashion” (which i’ve discovered is often code for
“i really want to spend more time with beautiful models”).
© brian bloom
What the outstanding photographers profiled this month make clear, however, is that
their work is difficult in numerous ways. Travel assignments come with long shot lists,
tight schedules and high standards. The enormous popularity of travel photography
means there’s more competition. Travel photographers have to hone their distinctive
points of view, just as travel clients like Travel+Leisure (see this month’s “Create” section
on page 74) now need to do more than just show more pretty photos of places thousands
of tourists have photographed before.
Given the wild locations where Carsten peter (page 32) and Florian Schulz (page 26)
work, you wouldn’t think they would have to be concerned about other photographers
chasing after them, but they both strive to innovate. A dedicated conservationist,
Schulz believes that it takes interesting, original storytelling to engage the public in
environmental issues. To create his compelling narratives, he has spent as much as five
months at a time living and shooting in the Arctic.
The writings of photojournalist Ed Kashi and his wife, writer and filmmaker Julie
Winokur, which we’ve excerpted (page 44) from Kashi’s new book and app, offer us a
glimpse of the strain that long-term photo projects and constant travel place on a photographer and the photographer’s family. in journal entries and letters he wrote to his
wife while working on social documentary projects in the West Bank, Syria, india, China,
iraq, Nigeria, Vietnam and elsewhere, Kashi recorded the typical insecurities that creative
people face, expressing them as doubts that anything he was doing was worth so much
time away from his wife and kids. it’s refreshing to hear his partner talk candidly about
the frustration of being the one who stays behind, the difficulties of coping with a career,
kids and an aging parent while on her own for weeks at a time, and finding strategies for
protecting their kids from a sense of abandonment each time their father departs.
How photographers balance work and family inspires a lot of curiosity, but not much
discussion. A recent exception was a provocative post Alec Soth had on his Little Brown
Mushroom blog; he titled it “On Marrying a photographer.” Someone whose partner is a
traveling photographer wanted advice: She didn’t know if they could manage marriage
and raising children, as Soth and his wife, Rachel Cartee Soth, seem to have done. The post
inspired an outpouring of comments from photographers whose partners stay home,
photographers whose partners have busy careers of their own, photographers whose
partners are also photographers, photographers whose spouses want nothing to do with
photography. Their descriptions of the ups and downs, the solutions and adjustments
and compromises, were as individual and unique as the relationships themselves. Among
all the different models of photographer-spouse relationships, Kashi and Winokur’s is
unusual in that, amidst the comings and goings and their domestic and family concerns,
they’ve also managed to have a professional partnership that has been unusually fruitful,
producing award-winning multimedia pieces. it would be interesting to know how they
pulled that off, but that, perhaps, is a subject for a whole different book.
EDITOR HOLLY STUART HUGHES
Executive Editor David Walker
Senior Editor Conor Risch
Managing Editor Meghan Ahearn
Photo Editor Amber Terranova
Technology Specialist Dan Havlik
Creative Director Darren Ching
Art Director Frank Webster
Regular Contributors Edgar Allen Beem, Kristina Feliciano,
Jay Mallin, Theano Nikitas
Editorial Intern Erica Siciliano
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