DOUG GORDON IS A WEDDING PHOTOGRAPHER
with a large personality, an earthy sense of humor
and a fun-loving fearlessness. Attend one of his
lectures, and you might find yourself in a sing-along
to “YMCA,” with the husky Long Island, New York–
based photographer racing back and forth across
the stage to rally his audience. Hire him, as so many
have over the years, to photograph your wedding—
Gordon has shot more than 3,500 ceremonies, and
his studio has tallied more than 15,000—and you’re
bound to submit to the charming, seductive patter
that he peppers you with because he knows what to
say to get the expression and the mood he needs.
He’s not just a photographer; he’s a showman. And
his audience loves him.
© PAM LONG PHO TOGRAPHY
Doug Gordon
“When I’m photographing someone at a wedding,
I’m not explaining what I’m doing or what I’m trying to
get,” he says. “I’m working for the expression. I’ll tell
them, ‘I want you to smile with your eyes. I want to see
that softness.’ I tell them stories.” Take, for example,
the close-up shown on the opposite page of a bride’s
face, a single striking blue eye gazing steadily into his
camera. He got the shot, and then he swiftly shifted
gears. “I told her, “You’re violating me. Just admit it—
you want me.’ And then she laughed, and I got the
secondary image. I can change the mood in seconds.
People talk about weddings being fairy tales, but a
wedding is anything but a fairy tale. There are too
many variables going on at once. But the fairy tale is
what everyone wants. My job is to create it.”
ALL FOUR PHO TOS © DOUG GORDON
Capturing the romance is part of any good wedding
photographer’s skill set, but Gordon is unafraid to
go a step further and celebrate his subjects’ sexual
chemistry. Look through the portfolio at his Web
site, www.douggordonworkshops.com, and you’ll
come across more than a few wedding photos
of the groom standing with his hand high up on
his bride’s thigh. These images—such as the one
shown at left from a London wedding—never cross
the line into risqué, but they do sizzle. “The bride
wants to feel like her husband is in to her,” says
Gordon. “They respond to seeing that raw emotion
in a photograph.” In this case, the couple in question
were so smitten with their photo that they ordered
a huge print, somewhere in the 50’ x 60’ range. And
they’re not the only ones to be attracted to this sort
of shot. “This is an image that people want to buy,”
Gordon says firmly.